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Combat Photographer (Vietnam Experience), by Nick Mills
PDF Download Combat Photographer (Vietnam Experience), by Nick Mills
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Combat Photographer (Vietnam Experience)
- Sales Rank: #344366 in Books
- Brand: Time Life Education
- Published on: 1984-10
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 9.50" w x .75" l,
- Binding: Hardcover
- 176 pages
- Great product!
Most helpful customer reviews
1 of 1 people found the following review helpful.
Personal Experiences of Combat
By Dorothy C Smith
I am writing for a Friend Dear to my Heart. The book holds a picture of him as A Rifleman of Co A 1/20th Infantry . Page 142 is My Friend who actually gives a differant account of what went down during Me Lai July 3,1969 . He was just 20 years old . He has many horrific experiences during his time.
0 of 0 people found the following review helpful.
Graphic but true images
By M. Spade
A real look into the inside world of the Vietnam world, as seen through the eyes of combat photgraphers. Get a glimpse of soldiers faces in their most intense moments.
5 of 5 people found the following review helpful.
A Pictorial Story of the Army's Role in Vietnam, illustrating the role of official Army combat photographers in Vietnam.
By Sonny Craven
I have a view not offered by other reviewers. I was a team leader in author Nick Mill's unit in Vietnam, so my review will go beyond the book, and, perhaps enlighten potential buyers on its value from my perspective. The book's cover appears to be a 2000 reprint of the original 1983 book, only with a new cover.
In 1969, Nick Mills was an officer in the Army's 221st Signal Company (Pictorial) in 1969, a year after I left Vietnam. The unit was an experimental effort by the Army to replicate the Signal Corps World War II documentary effort. I was a 221st member when at the outset, the unit was organizing to use 16 PAT (photo assignment teams)to cover U.S. combat units and major allies engaged in combat operations from the South Vietnam delta to the central highlands. Many of its teams covered major battles, including Dak To, where the 173rd Airborne Brigade conducted a series of major engagements of the Vietnam War that took place between 3 November and 22 November 1967. Other documentary operations included units of the Navy Riverine Force operating in the Delta region, South Korea's Tiger Division, the Thai Army's Queen Cobra Regiment, Special Operation efforts along the border between Cambodia and Vietnam in Ban Me Thout, and the 1968 Tet Offensive. These preceded Nick Mill's time with theArmy combat photo unit.
Nick Mills makes an admirable effort to chronicle the role of the American Soldier - as seen through the lenses of Army combat photography but I'm hopeful a book will be written someday about the courageous photographers, many wounded and decorated, who braved jungle operations, exposed themselves to enemy fire, to document American Soldiers and their bravery. My Lai was an aberration of war, and most veterans of that era will confirm was not representative of the war effort, yet, the horrific event overshadows the bravery of battle and good work our soldiers performed in medical civic action and pacification programs. Those events were also covered by our cameras but like the nature of news, don't get nearly the mention
The American public often (mistakenly) believes the still pictures and moving images they see in series on Vietnam were taken exclusively by stateside American and foreign news organizations. Next time you buy a book on Vietnam illustrated with pictures, or watch 'Vietnam, a TV History', remember who sacrificed to make those images for historical archives that will help educate and illustrate the Vietnam conflict for future Americans.
Through his book, Mills preserves the legacy of the Soldier photographer in combat more effectively than I could as the commander of the Army school that trained Army photographers in the late eighties. The Signal Corps never had a serious interest in supporting or protecting the infrastructure, doctrine or jobs associated with combat photography because of Army pressures to use the manpower for other job specialties in peacetime. Yet, history shows when war breaks out, the Army struggles to mobilize a hasty effort to field a unit capable of producing and preserving a visual record of the conflict, but, inevitably,the steep learning curve and lack of skills associated with seasoned veterans hampers early efforts until the unit earns experience, the hard way.
To his credit, and in the tradition of all good Army leaders, Mills focuses his emphasis on the fighting Soldier, not Army photographers. This is both the right approach for us who never wanted to let our role overshadow that of the Soldier carrying the risks and burdens of battle. Army photographers never seek to 'get out front of their own headlights', as we say. The choice of photos and his chronicles of combat units and experiences lends strong evidence to the proper role of photography in helping us visualize and better understand the experience.
As owner of several copies of Nick's book, I dole them out to friends and colleagues who appreciate and honor the efforts of these war photographers. If you want to see rarely published photos of Soldiers in combat, and learn of the their role in the mud, the rice fields and the foxholes, this book is a good resource.
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