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The Life Within: Classic Maya and the Matter of Permanence, by Stephen Houston
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For the Classic Maya, who flourished in and around the Yucatan peninsula in the first millennium AD, artistic materials were endowed with an internal life. Far from being inert substances, jade, flint, obsidian, and wood held a vital essence, agency, and even personality. To work with these materials was to coax their life into full expression and to engage in witty play. Writing, too, could shift from hieroglyphic signs into vibrant glyphs that sprouted torsos, hands, and feet. Appearing to sing, grapple, and feed, they effectively blurred the distinction between text and image.
In this first full study of the nature of Maya materials and animism, renowned Mayanist scholar Stephen Houston provides startling insights into a Pre-Columbian worldview that dramatically contrasts with western perspectives. Illustrated with more than one hundred photographs, images, and drawings, this beautifully written book reveals the Maya quest for transcendence in the face of inevitable death and decay.
- Sales Rank: #1147829 in Books
- Published on: 2014-03-25
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x 8.00" w x .90" l, 2.22 pounds
- Binding: Hardcover
- 208 pages
Review
“Houston strives for deep understandings of Maya thought that allow us to see large-scale truths often overlooked. His unusual approach to materiality in ancient Maya culture will be pioneering.” –Andrea Stone, University of Wisconsin-Milwaukee (Andrea Stone)
“A major contribution to the study of the ancient Maya and an important intervention in the growing body of scholarship about materiality.” –Claudia Brittenham, University of Chicago (Claudia Brittenham)
Winner of the 2014 American Publishers Awards for Professional and Scholarly Excellence (PROSE) in the Art History & Criticism category. (PROSE American Publishers Awards for Professional and Scholarly Excellence 2015-02-16)
About the Author
Stephen Houston is Dupee Family Professor of Social Science and Professor of Anthropology and Archaeology at Brown University. He was the recipient of a MacArthur Fellowship in 2008.
Most helpful customer reviews
9 of 9 people found the following review helpful.
Eloquent, attractive, and insightful
By H. Grace
Stephen Houston is a well-respected scholar and the author of a dozen key books on Maya archaeology, epigraphy and art — e.g., Classic Maya Place Names (1994), Function and Meaning in Classic Maya Architecture (1998), Royal Courts of the Classic Maya (2001), The First Writing (2008), The Classic Maya (2009), Fiery Pool: The Maya and the Mythic Sea (2010) and The Shape of Script (2012), to name only several of the most salient. All of them are well worth reading for anyone interested in how we know what we know about Classic Maya art and writing.
But for my money, this well written and beautifully illustrated book tops them all, for it presents the researches of a true pioneer in the study of Classic Maya materiality. Twenty-five years ago, Stephen Houston (along with co-authors Karl Taube and David Stuart) began the study of the folk classification of Maya pottery (and related objects that the Maya labeled with their emic designations, and referenced and framed in ways deeply revelatory of their significance). These authors demonstrated that the Maya categorized their material remains in manners at once foreign to Western approaches yet nonetheless accessible to us in the form of ancient writing, in the symbolism embedded in their iconographies, and in the material remains and patterns inherent in architecture, ceramics, site settlement and more besides. Houston's approach has both matured and deepened over the years, and this tour-de-force revisits the topic of Maya materiality with the perspective of a scholar who has both contributed to and benefited from the ongoing decipherment of Maya hieroglyphic writing and art. It should be on the bookshelf of every serious student and interested amateur.
8 of 8 people found the following review helpful.
A unique book on a unique civilization.
By Michael D. Coe
Over the past century and a half many hundreds of books have been written about the ancient Maya, but there has never been anything like this one, a masterful and brilliant study of the relation between the material world of the Maya and their own mental constructs. Only someone with Houston's hieroglyphic expertise and artistic sensibility could have written such a study. Eloquently written and beautifully illustrated, I recommend it to everyone interested in the intriguing and sophisticated civilization of the Maya.
4 of 4 people found the following review helpful.
Making ancient objects speak!
By sid
This is an erudite but accessible text that gives voice to ancient Maya materials. If you are visiting a museum to see Maya artifacts, or traveling to Chichen Itza, Tikal or Copan, this will give you a far deeper understanding of everything you see.
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