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Frantumaglia: A Writer's Journey, by Elena Ferrante
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From the author of My Brilliant Friend
This book invites readers into Elena Ferrante’s workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet. Consisting of over 20 years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing.
In these pages Ferrante answers many of her readers’ questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.
- Sales Rank: #5752 in Books
- Published on: 2016-11-01
- Released on: 2016-11-01
- Original language: English
- Number of items: 1
- Dimensions: 8.60" h x 1.40" w x 5.70" l, .0 pounds
- Binding: Hardcover
- 400 pages
Review
Praise for Frantumaglia
“Frantumaglia [may be] her most experimental text yet, a massive prank on criticism and the media: all of it done to show us how badly we read what we read, how badly women writers are treated, and how badly the press operates.”
—Alexander Chee, New Republic
"Elena Ferrante (for that is her real name, regardless of the private identity of the woman who uses it in public) has created a body of work that stands alone. This represents an entire world, made up of language, family, gesture, emotions, politics and culture."
—Roxana Robinson, The Washington Post
"Frantumaglia offers a chance to consider [Ferrante's] strange, spectral presence in the world of letters."
—Elaine Blair, The New York Times Book Review
"Now, American readers hungry for every Ferrante sentence they can get will find many here in which she lowers her knife through the bread of life with the same startling force as she does in her novels.”
—The Los Angeles Times
“In Ferrante’s invention, experience is fluid, not limited to the border of any particular self...Her world, as far as any reader should be concerned, easily maintains its integrity.”
—Los Angeles Review of Books
"Ferrante's work is not about women or friendship or abandonment: It is, rather, about a sense of the deep-down rawness of life itself—which runs like an electrical current beneath the prose—and it is responsible for the thousands of pages of writing she has sent out into a world of readers hungry to feel alive to their own perilous condition."
—Vivian Gornick, The Nation
"It is an addictive, powerful, and disquieting miscellany of piercing intelligence, restless questioning, compulsive rumination, equable uncertainty, courteous self-possession, quiet generosity."
—The National
“While this collection will be most enticing to those already reading Ferrante, it’s also a feast for writers, lovers of literature, and creators of all kinds.”
—Booklist
“I must confess that the words of Ferrante that have captivated me the most are included in Frantumaglia—something she wrote about writing.”
—Asymptote
"This is a fascinating volume, as ever beautifully translated by Ann Goldstein. At times, it is as absorbing as Ferrante's extraordinary fictions and touches on troubling unconscious matter with the same visceral intensity."
—The Guardian
"In Frantumaglia there are some outstanding passages of literary criticism, feminist theory, film studies, sociology and philosophy. As a reader one longs to forget the gossip about her identity and just appreciate her as a critical thinker."
—The Sunday Times
"Never less than compelling...As a book of fragments, the title refers to the nature of the contents. But it also speaks to a vision of the self that is communicated throughout the material: human identity as something partial, fragmented, conflicted and heterogeneous."
—The Australian
"[Frantumaglia is] a magnificent jumble of insights, reactions, and philosophical play."
—Lili Loufbourow, The Week Magazine
"We learn plenty about Ferrante in the pages of Frantumaglia...Ferrante has long maintained that everything we need to know about her is in her novels. Frantumaglia rounds out this picture."
—Toronto Star
Praise for Elena Ferrante
“Elena Ferrante’s decision to remain biographically unavailable is her greatest gift to readers, and maybe her boldest creative gesture.”
—David Kurnick, Public Books
“Everyone should read anything with Ferrante’s name on it.”
—Eugenia Williamson, The Boston Globe
“Ferrante has written about female identity with a heft and sharpness unmatched by anyone since Doris Lessing.”
—Elizabeth Lowry, The Wall Street Journal
“Ferrante has become Italy’s best known writer. In our era of social media accessibility, shameless self-promotion, and hot young celebrity culture, this is nothing short of astounding.”
—Gina Frangello, Electric Literature
“Ferrante’s writing seems to say something that hasn’t been said before—it isn’t easy to specify what this is—in a way so compelling its readers forget where they are, abandon friends and disdain sleep.”
—Joanna Biggs, The London Review of Books
“To disagree over the quality of a Ferrante passage is often to run up against what you cannot answer or digest.”
—Jedediah Purdy, The Los Angeles Review of Books
“Who, in American literature today, deals with the subtleties of class difference in such a painful and sensitive way, while achieving even a fraction of Ferrante’s massive popularity? . . . We must go to the fictionalized Naples of Ferrante to read the story we want to believe can happen again in our country.”
—Alissa Quart, BuzzFeed
About the Author
Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), Troubling Love (Europa, 2006), The Lost Daughter (Europa, 2008) and the Neapolitan Quartet (Europa 2012-2015). She is also the author of a children’s picture book illustrated by Mara Cerri, The Beach at Night.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Even without having read Ferrante’s oeuvre, a reader will thrill to learn in more depth of certain themes that haunt her.
By Bookreporter
I devoured the first three installments of Elena Ferrante’s Neapolitan series in early 2015, soon after the publication of the third book’s English translation, and awaited the last with baited breath. Like many, I was swept up in the passion described in and elicited by the series --- a story in four parts that follows the lives of two friends from girlhood to late middle age. The enthusiasm surrounding the books stemmed from disparate sources: some admired Ferrante’s intensely affecting and insightful account of women’s interior lives and friendships, others were drawn to the vivacious energy spilling off each page, while others were more captivated by the mystery surrounding the author’s identity.
Although she still has not disclosed her real name, the author reveals as much of herself as we are likely to ever know in FRANTUMAGLIA, a collection of letters and interviews done over nearly 15 years. With her signature verve, Ferrante discusses the cotton wool of an author’s life: her writing habits, habitual struggles as a writer, mother and woman, how stories develop over time. The letters also include guidance to directors undertaking her books’ transformations into movies, conversations with publishers and editors about current and future work, and relevant unpublished snippets.
Even without having read the entirety of Ferrante’s oeuvre, a reader will thrill to learn in more depth of certain themes that haunt her. The close observation of the way material comes together to form clothing, its transformation from a piece of lifeless cloth to something that speaks volumes. The relationship between dear friends who vacillate between crushing and supporting one another. The deep ambivalence of a woman losing her individual identity to motherhood and the realization to which a daughter comes as she crosses the same bridge.
Perhaps unsurprisingly, many variations of the same questions come up again and again regarding Ferrante as a female and feminist author and her stance on maintaining personal distance from her work. Both subjects are intensely personal for Ferrante the writer, and one must assume for whoever she is off the page as well. She decries the difficulty female authors have breaking from the modifier, eloquently describing how the media and literary world compare women only to each other, denying them their rightful places within the greater canon. Her thoughts on the decision to maintain a separate identity as a writer indicate an unusual and easy-to-admire perspective: that of a person who believes that what the reader needs to know about an author is already present in her work. If anything, her staunchness in this belief suggests that she has taken care to imbue her books with the power to stand on their own. From personal experience, I believe this to be true.
FRANTUMAGLIA comes at a particularly interesting time for English-speaking audiences. Elena Ferrante has served as the author’s pen name for decades in Italy, and her refusal to be unveiled continued even after she achieved international renown. Recently, a sleuthing journalist pinpointed the Italian woman who is most likely Ferrante. An uproar around the author’s privacy and frequently expressed intentions ensued, with most readers reacting with disgust and anger to her outing and refusing to acknowledge or change their relationship with the incognito author. FRANTUMAGLIA indicates that the author would surely gracefully accept the display of fierce loyalty on the part of her readers, but that she is someone who can defend herself. The pen, as they say…
Reviewed by Rebecca Kilberg
1 of 64 people found the following review helpful.
Helena Ferrante novels
By Joyce Mary Zurcher Blen
A simplist view of life in Italy at the beginning of post wars.
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